News from ApparelMagic clients

Around the world, the biggest names in fashion choose ApparelMagic

 

 
 
 
 
 
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Nicole Miller on Safari

After last season’s nineties grunge theme, Nicole Miller took on something totally different for spring. Under a moody canopy of tropical flora, her collection at New York Fashion Week was a vision of a jungle paradise where the ground is hard enough for heels and the heat bearable enough to layer a cute leather jacket. In short, less Tarzan and more Jane.

Miller’s models looked like explorers in their many-pocketed jackets and utilitarian belts. Rendered in traditional olive drab and khaki gabardines, these safari separates were refreshed with peplums and well-tailored shorts. Beyond the cargo pockets there were palm-print dresses and a black lace take on Yves Saint Laurent’s famous “Saharienne” dress.

Other looks stole the bright colors of exotic rainforest blooms, like an orchid print in eighties laser show pink and teal. Another paired those orchids with leopard’s spots, parrots, and a resist-dyed border in a knowing mashup of rainforest clichés.

Perhaps the most interesting of Miller’s garments were her cocktail dresses, like one in sheer white chiffon with macrame overlays or another that was covered in what looked like stripes but turned out to be many grosgrain ribbons cinched with expedition style D-rings. Miller designs clothes to make the perfect statement at any event, even when it’s a jungle jamboree.

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Jill Stuart celebrates 25 years

2018 is going to be a year of reflection for ApparelMagic client Jill Stuart. Since her line’s inception in 1993, it has been a consistent power player at New York Fashion Week.

For the label’s 25th anniversary, Stuart took a look back at the archives. Stuart has plenty of material to draw from, with iconic looks like Alicia Silverstone and Stacey Dash’s unforgettable plaid school-girl looks in the 1995’s Clueless movie.

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But as tempting as referencing that cultural touchstone must have been, the designer came at her previous work from another angle, creating a collection that looks like it was pulled from some paradise of a vintage store where they sell only the hits.

Using much of the spring ’18 line to play with opacity and layering, Stuart combined sheer shirtwaist dresses with floral shirts and accessorized lacy cocktail wear with clear plastic belts.

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Sticking to a very seventies theme, the prairie dresses harkened back to Picnic at Hanging Rock, and the suiting was Annie Hall perfection. With polka-dotted pussy bow shirts and wide-leg trousers looser than we saw in years, spring’s looks are a throwback in the best possible way.

If Jill Stuart’s first 25 years in the industry are any indication, she’ll still be moving fashion forward 25 years from now.

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Sea goes oversize at New York Fashion Week

In an age when the fashion world is transitioning away from skinny jeans, cigarette pants, and bodycon dresses, Sea by designers Monica Paolini and Sean Monahan knows exactly what’s next. Volume, volume, volume.

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The label, an ApparelMagic client, took advantage of the runway’s trend towards wider widths and presented roomy, easy clothes for a contemporary woman in their spring look book. Here it meant relaxing the waists of eyelet dresses and letting them fall freely from the shoulders, cinching a pair of cropped terra cotta pants with a paper bag waist, and sizing up on all the tops. High and tight is over, and Sea is leading the charge.

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Paolini and Monahan are never the types to just style up basics, and this season had them experimenting with flamenco ruffles. Thrown asymmetrically over a dress here, or fitting a flouncy peplum to a denim jacket there, they were modernized with the label’s signature ease.

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It wasn’t all feminine though. Indeed, Sea’s strongest looks are often in their daywear separates, and a section of pieces in a cream windowpane check stood out from all the rest. Imagining the fabric in a jumpsuit, blouse, suit, and dress, the designers at Sea showed how they are masters at making a trend their own.

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Soaking in the Glamour at Naeem Khan

It’s all about high drama with Naeem Khan. Taking to the runway with a balletic spring collection at New York Fashion Week, the ApparelMagic client essentially dismissed the everyday in favor of eveningwear at its most extreme.

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For a designer who has dressed nearly every star, royal, and woman of power (see Beyonce, Kate Middleton, and Michelle Obama,) Khan knows a thing or two about making a statement on special occasions, and the spring collection was 40 statement looks, no filler.

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Girlish tutus on one side, raffia-trimmed flapper dresses on the other, Khan had a creation for every type of event. Among the best were body-hugging gowns in sheer knitted mesh that sparkled with thousands of sequins. Prefer pants? The designer offered up formal track pants paired with formal kimonos left untied over lace bustier. Definitely a look that can get a starlet launched onto a thousand best-dressed lists.

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You won’t have to look far for any of the show-stopping dresses on the movie premiere and award ceremony circuit because these are clothes that get noticed. In fact, actress Laverne Cox has already worn one of the metallic silver numbers at the Emmys red carpet.

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ApparelMagic Client Jonathan Simkhai shows a springtime daydream

After winning the CFDA/Vogue Fashion Fund in 2015, great things have been expected for New York-based designer and ApparelMagic client Jonathan Simkhai. As his spring 2018 collection shown during fashion week proves, he’s now in the big leagues, able to represent American fashion on the international stage.

In an almost wholly indigo and cream show, Simkhai’s capable hands worked breezy sportswear staples into of-the-moment shapes.

Striped shirting is having a moment, of course, and here it was pulled away from its business suit origins and into a realm of fantasy. Poplin shirts were knotted into handkerchief-hem dresses and separates with curly lace trims that could have been tatted by small forest fauna for a fairytale heroine.

Continuing this theme, innocent white gowns in eyelet lace were casually cinched in with a swath of sandy suede or leather.

The collection wasn’t just for storybook princesses, however. California dream girls also got a powerful shout out in the form of crochet dresses with sexy cutouts and glimpses of skin underneath the open-work designs, all perfect for a sunset walk on Venice Beach.

Moving past sundown, Simkhai had visions of ethereal chiffon nightgowns edged in lace and a dose of old Hollywood glamour. Day to night, Jonathan Simkhai’s spring line is a dream.

 

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Elizabeth Kennedy’s Surreal Stunners

“This is not a jacket.” So read a sleek white jacket with the quote along a sleeve in the style of René Magritte. An embroidered hand holding a rose sat on the center of the piece with bright red fingernails forming the buttons. With Elizabeth Kennedy, what you see isn’t necessarily what you get. Operating strictly within the eveningwear sphere, the designer and ApparelMagic client took her spring collection at New York Fashion Week as an opportunity to test the boundaries of her chosen field.

Standard Oscars dresses these were not, though inevitably a few of them will end up on discerning starlets that appreciate an art history reference when they see one. Other looks, though not directly labeling themselves played with expectation. Some gowns had trompe l’oeil ribbons tied across the breast, forming nostalgic sweetheart necklines. Another was beaded to mimic the texture of an uneven dupioni silk.

The most stunning of the evening dresses had to be the ones with heavily-boned bustier tops. Wide, layered skirts appeared to be have been peeled off of them and draped in deshabille style around the hips. Elizabeth’s dresses might be all illusion, but her success from here on out will be 100% reality.

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Eckhaus Latta’s Underground Art Scene

With New York Fashion Week in a state of flux, the fashion industry has been in need of a jolt of excitement. At ApparelMagic client Eckhaus Latta’s show this season, that is exactly what they got.

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In a raw warehouse deep in Bushwick, Mike Eckhaus and Zoe Latta’s spring collection was as unsettling and avant garde as always. Hems were uneven. Tops ended abruptly above the belly button or flashed a sliver of skin above mom jeans, and suits were tailored to hang far off the body.

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If any of these items sound like a fashion faux-pas, that’s kind of the point. Eckhaus Latta excels at taking the unfashionable and uncomfortable and giving it a 180 degree spin until it has the downtown chic the label is known for. Everyone wearing Eckhaus Latta looks like an underground artist with an enigmatic personality and a fascinating oeuvre to match.

Their trademark knitwear was in full force here, a cutaway version in vermillion and wide pants rendered in mustard. Ending the show was a series of cloud-like sheer shifts, their ethereal powder-blue color contrasting with workwear pants worn below.

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Adding to the wide variety of clothing on display, the casting was especially idiosyncratic. In a time when diversity is talked about more than ever, the designers recognized that models come in all colors, shapes, sizes, and ages. Their cast proved that minidresses can be worn–and worn well–above size 2 and that any age can wear a crop top.

To encapsulate the whole brand’s aesthetic in one look though, a pregnant model walked down the runway with belly bared and with paint in her hair. Eckhaus Latta’s vision is the future, and in this future we can all be runway stars.

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Ballgowns on the Beach at Badgley Mischka

ApparelMagic client Badgley Mischka’s spring show offered a breath of fresh air direct from the French Riviera.

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Set in a polished black warehouse during New York Fashion Week, Mark Badgley and James Mischka dreamed up an airy, sun drenched collection evoking Capri by way of Boca Raton.

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Two show stopping bathing suits all ruffles and rosettes a set the tone for a retro jaunt to the sea or a pool party straight from a Slim Aarons photograph.

For day, the designers set their sights on the workaday shirtdress, imagining it in tangerine linen or fuschia lace, dividing it into separates, or, in one of the closing looks, sewn into a full-length brocade number.

Walking the line between poolside cover-up and luncheon staples, the spring line was by turns modish and strikingly elegant. Swingy minidresses and caftans alternated with satin cocktail dresses trimmed in marabou feathers and bejeweled necklines.

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Other highlights included a sleek, long column of white guipure lace with bell sleeves and a couple of red-carpet-ready dresses entirely in sequins.

The designers, never strangers to occasion dressing, embellished a body-skimming white gown with floral beading. Worn with a casual up-do and drippy earrings, the dress begged for a picturesque wedding in the south of France.

The bride who ends up wearing that dress, by the way, might as easily dress her whole bridal party in this collection. Bridesmaids’ dresses, a suit for the mother of the bride, and even something short and white when it comes time for dancing at the reception: Badgley Mischka is an absolute crowd pleaser.

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