Prabal Gurung’s all-American girls

Just before dressing seemingly nearly everyone at the America-themed Met Gala, Prabal Gurung designed a collection honoring the “American Girl” and all that means in 2021. That meant an inclusive, intersectional embrace of models across spectrums of size, race, and gender. It also meant a vibrant collection that felt of-the-moment in a time when we’re all still struggling to remember what year it is.

Florals for spring…but groundbreaking? Here, under Gurung’s aegis, it’s absolutely possible. Abstracting chintzy prints, blowing them up, and pairing them with fluorescent colors and parachute proportions, he makes the well-trodden tropes of spring fresh again. Picnic ginghams were done in bright oranges and pinks or stretched across curves in body-con cocktail dresses.

And genderplay was all over too, with suiting and skirting that was treated with little care for the binary, like a pastel menswear getup covering up a drapey silk top.

Towards a pastel modernity with Jonathan Simkhai

The early oughts are officially back. ApparelMagic client Jonathan Simkhai’s spring 2022 collection shown at New York Fashion Week felt like a refreshing breeze from simpler times. Harkening back to the shapes and refinement of the days of the legendary Helmut Lang, Simkhai took on the minimalist mantel and drew up a line of sportswear of the most chic sort.

Simkhai multiplied spaghetti straps and subtracted midriffs. Dividing layers in suiting into multiple layers and adding on strips and ties that danced in the wind, the collection was full of things to look at while at the same time so much more than the sum of its parts.

Though sleek, almost severe cuts made strong statements, they were beautifully offset by a very human materiality. Whites, sands, lavenders, and periwinkle all draped effortlessly across models’ skins, and fabrics were buttery soft.

Simkhai is one designer never content to stay in one lane, and after this collection, it’s clear that, from maximal to minimal, he can do anything he sets his mind to.

ApparelMagic users make the Met Gala's best dressed list

ApparelMagic users make the Met Gala’s best dressed list

Whether in threads inspired by home-spun Americana or in full-blown American glamor, ApparelMagic clients dressed some of the biggest names in fashion, sports, music, cinema, and photography. See our big picks of the night:

Venus Williams went old-school Hollywood in a vibrant red gown by Prabal Gurung.

Lorde took on the arts and crafts movement in custom Bode.

Actress Barbie Ferreira had a pearly moment in an intricately beaded dress by Jonathan Simkhai.

Superstar gymnast Simone Biles layered a bodysuit and a daring ballgown in AREA.

Gemma Chan paid homage to Qing dynasty artistry in Prabal Gurung.

Tyler Mitchell gave evening a sporty update in baseball-inspired Bode.

Diane Kruger lit up the carpet in a fluorescent Prabal Gurung number.

Precious Lee went business not-so-casual in a coat dress by Area.

Leon Bridges took on some vintage inspiration in his suede Bode jacket.

Teyana Taylor looked dipped in mercury in a gown by Prabal Gurung

Watching the sunset with Cynthia Rowley

Basking in the final drops of a New York sunset, ApparelMagic client Cynthia Rowley staged her NYFW fashion show en plein air. Her golden-hour heartbreakers took full advantage of the evening, with their subtle hues lighting up in the daylight.

Printed like a watercolor, one sheer gown stood out for its ease and energy, especially as Rowley paired it with some chunky white sandals. With the lines of a prairie dress but with a mood of languid seduction, it spoke clearly as a summation of the season’s line.

Breezes across the Hudson River made diaphanous gowns flutter and gave new shape to lightweight puffer jackets. Everything was light, light, light in weight but alternatingly moody and fresh in spirit.

Other looks, in black but spangled in rhinestones, reminded you not of the sunset, but of a clear night sky bursting with starlight. Rowley scattered these sparkles judiciously in imagined constellations.

Just like the sunset, the collection captured the vibrant pastels and fleeting energy of a warm evening, as well as the navies and midnight of twilight. A poetic collection from one of New York’s most storied designers.

Sandy Liang has a spring in her step at NYFW

What’s cool in 2022? Honestly, the best person to ask is Sandy Liang. Long the cool girl par excellence, this ApparelMagic client knows the hum of the street as well as the buzz at whatever gallery opening or dive bar the pretty young things of art, fashion, and music congregate.

So when Liang does her signature sportswear, you know she’s got her finger on the pulse. This season, it’s far beyond her trademark fleeces, and into cottony realms that feel just right for the times. Getting out of our pandemic knits, she’s encouraging an easy-breezy approach full of ruffles and layers, but done with such a je-ne-sais-quoi that it’d be impossible to accuse her frills of frippery.

These are in fact ironic ruffles, that look as aloof as the models wearing them. Even her approach to a classic skirt suit has an air of above-it-all detachment, the tailoring sitting away from the body with the structure of a neoprene. Liang is referencing the greats but making it all her own.

LaQuan Smith’s Empire State of Mind

ApparelMagic client LaQuan Smith was in a different headspace this season, an Empire state of mind. And quite literally at that, staging his Spring/Summer 2022 show atop the Empire State Building smack-dab in the center of midtown Manhattan.

The venue choice was a statement all its own, and it signaled a new prominence for the designer. Smith, long associated with larger-than-life celebrity clients, is now a household name of his own. And the clothes? They reflected it.

He went bold. Fishnet bodystockings, plush robes, and lingerie transitioned effortlessly into satin minidresses and diamante-encrusted bras. This was not a show for the faint of heart—and not just because of the runway one hundred stories in the air!

Later in the collection, he traded the slick and shine for dazzle-print patterns that evoked the famous black-and-white warships. The LaQuan Smith woman is fierce in the real sense of the word.

Calder Carmel’s access to ApparelMagic’s instant inventory reporting aids their customer loyalty journey

Mark Calder is no rookie in the menswear game. From stock boy for a haberdasher to creative director of a luxury menswear brand, he has spent decades refining his craft and distilling it into the perfect luxury sport shirts.

In 2018, he put his years of experience center stage when he launched his own shirting line, Calder Carmel, with his merchandising and production manager Kristina Stuckenbrock.

The driving force of the brand isn’t anything new, but it’s something far too hard to find in today’s market.

“The quality will last you forever,” Stuckenbrock says. “We buy from the same mills as top Italian brands, and we use the highest quality fabrics and materials.”

And as if that Italian quality isn’t enough, the design too is special, using exclusively-designed fabrics, unlike the competition, most of whom buy a mill’s collection as-is.

This attention to detail is making a mark. Just two years in business, and they’ve already sold almost 20,000 shirts! The real secret to their success though goes back to the basics: forming positive, sustainable relationships.

“We’re partnering with the best retailers across the United States,” Stuckenbrock says. “Some of them have been in business for a hundred years. They really know their customer.”

And that knowledge is key. Calder’s business strategy is to let retailers do what they do best and provide them with the best products possible, showing real loyalty in the process.

“We really believe in partnering with our customers to sell our product,” Stuckenbrock says. “We’ve taken the position that we don’t want to sell online because we don’t want to compete with our customers.”

While direct-to-consumer sales are many brands’ preferred pivot, this one has its own strategy that precisely suits its market.

“We’ve taken the approach that if we partner with our customers, we’re hoping to gain more market share within their stores because they know we’re not going to be coming up with a fifty-percent-off sale in the middle of November.”

That loyalty goes both ways, and already men are learning about the brand from their favorite specialty stores and becoming repeat customers.

“What’s really exciting is when we hear about how customers in store are reacting to it.” Stuckenbrock says. “We have some dedicated Calder customers now that they call on anytime our shirts arrive!”

Even during 2020’s retail struggles, Calder Carmel worked with their retailers to help them get through a difficult time. Whether it was sending them extra collection photos they could use promoting online, extending payment terms, or shifting delivery dates.

And you know what? It’s worked out. Customers reported their best sell-through numbers this past Fall, even with reduced foot traffic, and some styles even had to be reordered from factories—during a pandemic!

“For this terrible year, we had a positive end to it,” Stuckenbrock says. “We’re confident that we’re going to be able to get back to where we were and see some more increases.”

Alongside their dedicated relationships with retailers and mills, Calder Carmel has been powered by ApparelMagic. For a small team of two, it’s an essential service to get work done efficiently and accurately.

“ApparelMagic helps me do the work of ten people, really,” Stuckenbrock says. “What a gamechanger it’s been for us to easily access information so quickly. We don’t have time to be sorting through Excel documents all the time. When I get a call from a customer, I can tell them what our inventory is.”

And for an era when what can go wrong will go wrong, ApparelMagic has a whole suite of tools to keep businesses on track.

“Without ApparelMagic, we would not be able to instantly report on overdue invoices, upcoming payables, and the many pending orders in the system that remain to be filled,” Stuckenbrock says. “It is truly a lifeline that I am very grateful to have!”

Calder Carmel is ApparelMagic’s 2020 Most Promising Startup

Mark Calder is no rookie in the menswear game. From stock boy for a haberdasher to creative director of a luxury menswear brand, he has spent decades refining his craft and distilling it into the perfect luxury sport shirts.

In 2018, he put his years of experience center stage when he launched his own shirting line, Calder Carmel, with his merchandising and production manager Kristina Stuckenbrock.

The driving force of the brand isn’t anything new, but it’s something far too hard to find in today’s market.

“The quality will last you forever,” Stuckenbrock says. “We buy from the same mills as top Italian brands, and we use the highest quality fabrics and materials.”

And as if that Italian quality isn’t enough, the design too is special, using exclusively-designed fabrics, unlike the competition, most of whom buy a mill’s collection as-is.

This attention to detail is making a mark. Just two years in business, and they’ve already sold almost 20,000 shirts! The real secret to their success though goes back to the basics: forming positive, sustainable relationships.

“We’re partnering with the best retailers across the United States,” Stuckenbrock says. “Some of them have been in business for a hundred years. They really know their customer.”

And that knowledge is key. Calder’s business strategy is to let retailers do what they do best and provide them with the best products possible, showing real loyalty in the process.

“We really believe in partnering with our customers to sell our product,” Stuckenbrock says. “We’ve taken the position that we don’t want to sell online because we don’t want to compete with our customers.”

While direct-to-consumer sales are many brands’ preferred pivot, this one has its own strategy that precisely suits its market.

“We’ve taken the approach that if we partner with our customers, we’re hoping to gain more market share within their stores because they know we’re not going to be coming up with a fifty-percent-off sale in the middle of November.”

That loyalty goes both ways, and already men are learning about the brand from their favorite specialty stores and becoming repeat customers.

“What’s really exciting is when we hear about how customers in store are reacting to it.” Stuckenbrock says. “We have some dedicated Calder customers now that they call on anytime our shirts arrive!”

Even during 2020’s retail struggles, Calder Carmel worked with their retailers to help them get through a difficult time. Whether it was sending them extra collection photos they could use promoting online, extending payment terms, or shifting delivery dates.

And you know what? It’s worked out. Customers reported their best sell-through numbers this past Fall, even with reduced foot traffic, and some styles even had to be reordered from factories—during a pandemic!

“For this terrible year, we had a positive end to it,” Stuckenbrock says. “We’re confident that we’re going to be able to get back to where we were and see some more increases.”

Alongside their dedicated relationships with retailers and mills, Calder Carmel has been powered by ApparelMagic. For a small team of two, it’s an essential service to get work done efficiently and accurately.

“ApparelMagic helps me do the work of ten people, really,” Stuckenbrock says. “What a gamechanger it’s been for us to easily access information so quickly. We don’t have time to be sorting through Excel documents all the time. When I get a call from a customer, I can tell them what our inventory is.”

And for an era when what can go wrong will go wrong, ApparelMagic has a whole suite of tools to keep businesses on track.

“Without ApparelMagic, we would not be able to instantly report on overdue invoices, upcoming payables, and the many pending orders in the system that remain to be filled,” Stuckenbrock says. “It is truly a lifeline that I am very grateful to have!”

Lola & Sophie wins the 2020 ApparelMagic Growth Award

With retailers closing down, some for lockdowns and others permanently, fashion brands have had to regroup and rethink their efforts in record time. The businesses who are best set up for success, like ApparelMagic client Lola & Sophie, have completely recalibrated their businesses as we enter a new era.

For Lola & Sophie founder and designer Gene Kagan, it starts with asking the big questions.

“How do we reach our end consumer?” Kagan remembers wondering at the onset of the pandemic and the industry’s mounting retail woes.

For a womenswear brand doing the vast majority of business through wholesale, this past year set the stage for an evolution in strategy.

“In 2019, ecommerce was 10% of our total revenue,” Kagan says. “2020, we’re looking at 30%, and I suspect that 2021 will be a 50% split.”

Those numbers reflect some big changes behind the scenes. Ecommerce sales require some reliable digital infrastructure, and ApparelMagic has been the label’s data powerhouse when it comes to going online.

“ApparelMagic has been instrumental in our pivoting to a direct-to-consumer business model and incredibly flexible with the changes that we needed to make in order to survive this incredibly challenging business environment,” Kagan says.

Kagan’s colleague, ecommerce manager John Cioni, agrees, seeing a myriad of unique ways the brand has used ApparelMagic in recent months.

“At one point we didn’t know who would and who wouldn’t be taking orders,” Cioni says. “So the reporting where we could see projections on our inventory going out into the future was really helpful.”

Cioni cites the ease of working with ApparelMagic’s API to add new functionality to Lola & Sophie’s ecommerce site that all syncs back effortlessly to ApparelMagic.

“We added to our website support for backorder and preorders on styles so we could rapidly recut if need be,” Cioni says. “It’s been great because it allows a revenue stream that may have not been there otherwise. That was huge for us on the ecommerce side of things.”

The new Linesheet Creator tool has also been a welcome surprise for the brand. With more sales appointments remote, their sales team can make quick presentations on the fly.

“What we’ve been doing is custom tailoring linesheets for them to streamline the whole selling process,” Cioni says. “Our in-house sales rep knows her customer. Rather than bogging them down with an hour and a half of product that they will never buy, it’s very tailored to exactly what it is she thinks they could be buying.”

With this kind of thinking, it’s obvious that this isn’t Lola & Sophie’s first rodeo. Having survived fashion’s previous downturn more than a decade ago, the team already knew how to adapt to a changing climate. They knew this was the time to take a few risks to remain relevant.

“We’ve certainly stepped up our efforts with advertising and direct mailings,” Kagan says. “We sent out a catalog at the end of 2020 to go out to 100,000 consumers.”

Why go the route of ink on paper? In an environment of hours-long Zoom meetings and social media scrolling, the opportunity of looking at a physical piece of branding makes for a better connection with Lola & Sophie’s target customers.

“It feels more real than an ad on Instagram or Facebook,” Kagan says. “Our target audience still likes to touch and feel the product before they commit.”

The pandemic has changed a lot of things, but some things, like the fashion industry’s resiliency, prove stronger than ever.

“We’re a creative bunch,” Kagan says. “Give us a challenge and we’ll meet it.”

Portland Garment Factory is ApparelMagic’s 2020 Innovator of the Year

The saying goes that a crisis shows your true character, and if their approach to 2020 is any indication, Portland Garment Factory is one of fashion’s forces for good.

The Oregon-based factory had been in business for 12 years manufacturing for local and international clients when the pandemic hit. Business slowed right away, according to Donna White, Portland Garment Factory’s operations manager, but they retooled their mission for the short term.

“In March when Covid hit, we saw the loss of projects at the same time that we got word of an impending shortage of PPE in our area,” White says. “We identified two goals for PGF: 1. Stay in business and 2. Be helpers.”

Leveraging their unique position as a domestic manufacturer, Portland Garment Factory immediately saw ways that they could make a difference.

“We hit the ground running and started making medical masks at PGF and selling them at cost to the healthcare community,” White says.

Pivoting to masks ensured that while their production lines might have slowed from client projects, they kept a steady stream of fulfilling work for the team. Their other unique business feature, their online store, aptly named PGF Gift Shop, also became a part of their 2020 plan.

“After the need for medical masks subsided, we started making and selling reusable, cloth masks for the general public as well as custom orders for other businesses and organizations,” White says.

Online among PGF Gift Shop’s offerings is their LeMask, a convertible face mask/head scarf/neckerchief hybrid that for every one sold, they donate a barrier mask to a local nonprofit.

“To date, we’ve made over 60,000 masks in our factory and we’ve donated over 2,700 masks to vulnerable communities.”

In tandem with this shift to producing their own products, they started ramping up their existing offerings including a loose collection of cushions, pet beds, and even clothing and accessories.

The wide variety comes with a message: Portland Garment Factory is a zero-waste facility and items are created using the excess fabric and trims left over from the factory’s client projects. Large scraps turn into attractive patchworks, and tiny leftover pieces of fabric are pulverized and turned into a fluffy filling that beats out conventional synthetic fills in terms of sustainability.

According to White, last year was all about “making the system that we have work to meet the occasion.”

“It’s been a really interesting transition during the pandemic,” White says. “Prior to the pandemic, we were almost exclusively producing client orders at our factory and doing development and full service production.”

Recognizing their business’s capabilities and the pandemic-led push to move more online, they successfully survived–and thrived–in 2020.

“It has been a challenging year but we are grateful that we are still open, and that we’ve had the opportunity to make a positive impact.”

White points to ApparelMagic, the tool they’ve used for the past six years to track and manage their manufacturing, as one system they can rely on when little around them is functioning like normal.

“I’ve had nothing but amazing support from ApparelMagic,” White says.

And what’s next for 2021?

“We’re really hopeful. We’re already experiencing business picking up,” White says. “The kind of business that, pre-pandemic, we relied upon.”

That said, they’re not forgetting what they’ve learned in the past year, and Portland Garment Factory is already planning to expand their gift shop.

Captain Fin saves time and money with ApparelMagic’s automated ecommerce integration

Automation is the name of the game for surf specialty brand Captain Fin. Since its founding in 2007, the team has been moving from strength to strength, growing to be an international business. Now that Captain Fin is using ApparelMagic and its wide variety of powerful integrations, they’re able to spend less time on data entry and more time on what’s really important: surfing.

The brand started with one simple idea: introduce art into the world of surfboard fins.

“Traditionally surf board fins that go on the bottom of your board were just a solid color,” Captain Fin CEO Danny Gillis remembers. “We grew up skateboarding and snowboarding. Growing up, you always had your favorite snowboard that had artwork on it.”

The Big Idea

But like the extreme sports motto, Captain Fin wasn’t content with just any designs to decorate the line: they went big.

“We were the first company in the surf industry to collaborate with professional surfers, artists, and musicians to put artwork on high performance surf board fins and products,” Gillis says.

The concept has been a hit, growing the brand over time to include men’s and boys’ apparel. Now they’re stocked online, in brick-and-mortar stores, across the US, and in about 40 countries around the world. So how does a brand scale that fast without feeling the pinch?

“We’ve expanded online, and that business is really growing,” Gillis says. “ApparelMagic has helped us in a lot of ways to grow the business and have visibility into the business. What we can do with Shopify and ApparelMagic and systems like this in the cloud is incredible.”

“It’s saved us a lot of time, and it saves us on the manual side for processing orders. A ton of time.”

Danny Gillis, Captain Fin CEO

Growing Pains

It wasn’t always this easy for the brand. They’ve ran their business using multiple systems and found that their old software overcomplicated their data and workflow, to the detriment of the whole team.

“It wasn’t a system that if you hired a new employee they could get on and figure it out. It was highly customizable—too customizable—and it didn’t integrate with anything. It was an antiquated technology.”

The team learned quickly that when a piece of software is integrated, that doesn’t mean it’s optimized.

“It was integrated, but you had to manually push things through,” Gillis says. “You had to go in and look at your orders everyday, and there was some manual entry.”

 
 
 
 
 
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Switching to ApparelMagic

When enough was enough, they looked for something that could save the business time and money, and they found ApparelMagic.

“We needed something that was more scalable, that integrated, and that anyone could get onto and figure it out pretty quickly,” Gillis says. “We couldn’t be happier, honestly. It’s a really good system for that.”

What works for Captain Fin is using ApparelMagic as the central hub of their business, linking it with integrations to Shopify, CartRover, and 3PL Central to round out their workflow.

“What we can do with Shopify and ApparelMagic and systems like this in the cloud is incredible.”

Danny Gillis, Captain Fin CEO

Automated Ecommerce

“We’ve got it all set up now so it’s all relatively automatic and seamless,” Gillis says. “An ecommerce order comes through Shopify into ApparelMagic, pushes over into our warehouse, they ship the goods, and then it pushes back into ApparelMagic with tracking information and shipping. It’s really great. It’s saved us a lot of time, and it saves us on the manual side for processing orders. A ton of time.”

When it comes to ERP and fashion business software, getting started is a pain point for many businesses, and that’s why ApparelMagic’s development has always put the user and their experience first.

“One thing that attracted me, of many, to ApparelMagic was that I didn’t have to customize it. Out of the box, it worked for us,” Gillis says. “It had all the features that you would need, whether you’re a large company or a small company. It had everything I needed.”

 
 
 
 
 
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Captain Fin’s Favorite Features

  • Invoicing – “We’re able to invoice directly through ApparelMagic. It’s hooked up to our email system. We can send invoices, and we can track it all through ApparelMagic.”
  • Multi-Currency – “We do a lot of international business so we’re able to send invoices or estimates or quotes in the currency in the country that we’re dealing with, which is really powerful.”
  • Available to Sell Inventory Reports – “We use the automated ATS reports out of ApparelMagic that [customers] get on a recurring basis so they are able to see inventory and reorder when they need to.”
  • Commission Tracking – “Our sales reps are able to log in and see just the accounts that they deal with. We’re able to see in real time who has been paid, when they have been paid, and what they’ve been paid on.”

Meet the winners of The ApparelMagic Grant for Emerging Designers of Color

This past June, ApparelMagic started an initiative to see how we could help effect meaningful, positive change in both our community and the wider fashion industry. With this plan, one of our first steps was to create The ApparelMagic Grant for Emerging Designers of Color, a restriction free monetary grant with complimentary service and consulting. 

This grant is a way for us to give back and, we hope, to give more opportunity to people of color working in the fashion industry.

Throughout the selection process, our team was consistently impressed with the great work the ApparelMagic community was doing both in fashion and outside of the industry.

We saw applications from brands across the whole spectrum of sizes, in a multitude of categories, and from old friends and from new connections.

The recipients of the ApparelMagic Grant, below, represent the next generation of blue-chip brands, trend-setters, and most importantly, change-makers. Each recipient is building brands with the potential to make waves far outside of the fashion industry, taking on sustainability, ethical production, community involvement, and philanthropy.

We’re very pleased to introduce to you the promising talents who are recipients of The ApparelMagic Grant:

Anaak

“It’s not about offering disposable or fast fashion.”

Marissa Maximo

Learn more about Properwear

Harx4

“Your story is very important. And people should not be afraid to tell their story.”

Renee Hill

Learn more about Harx4

Jade Swim

Minimal and sustainable swimwear by Brittany Kozerski

Learn more about Jade Swim

Jamila Mariama

“I wouldn’t want this year to go the way it did, but it’s been eye opening for a lot of companies.”

Jamila Jones

Learn more about Jamila Mariama

Kate&Frances

“Well, why don’t I just make it? I’ve done this before, worked in fashion for twenty years. I can do this.”

Kate Pierre

Learn more about Kate&Frances

Lendrell Martin

“That idea you thought of that other weekend? Put it up. See what happens.”

Lendrell Martin

Learn more about Lendrell Martin

Properwear

“People want to see something different. I can tell in this community.”

Catherine Jean Bell

Learn more about Properwear